Loading

a Winter's Journey ... in music & song

A heartbroken lover wanders through a cold and magical Alberta winter. The landscape is the voice of a transformational Winter’s Journey weaving in and out of scenes from a live Pandemic performance of “Winterreise, Op. 89”, Schubert’s famous 24 song-cycle.
A film by Eveline Kolijn
It was performed in November 2020 by Brett Polegato, one of Canada’s best baritones, and four pianists in a secluded barn-turned-concert hall in rural Alberta, Canada.
The concert performance was organized by the artistic director of the International Festival of Song and Chamber Music Society, Kathleen van Mourik.
"The International Festival of Song and Chamber Music Society has embarked on a journey: a Winter Journey, to be precise. This is a collaborative project connecting the performance of Franz Schubert's music with art, film, video, and the Alberta environment. Schubert’s Winterreise (Winter Journey) is a timeless trip, one filled with feelings found in the depths of the human heart: despair, dreams of the past, the premonition of death (including Schubert’s own), hope; as well as the presence of nature - rustling leaves, storms, icicles, frozen tears. I hope that this universal music will reach out to people in a dark time, a time when we need to connect despite the necessity of separation."

Conceived and directed by Eveline Kolijn

Runtime 99 minutes; Canada 2022 English subtitles

Cast/performers

Brett Polegato, baritone

Charles Foreman, piano

Kathleen van Mourik, piano

Jack Olszewski, piano

Cindy Zhang, piano

Crew

Eveline Kolijn, artist, animator, filmmaker

Trey Mills, recording and sound engineer

Stephen Lubig, performance videography

Cindy Zhang performing Wasserflut

Kathleen van Mourik, Brett Polegato perform Die Krähe

Jack Olszewski plays Der Stürmische Morgen

Kathleen van Mourik plays Letzte Hoffnung

Charles Foreman plays Der Lindenbaum

Recording setup

Filmmaker Eveline Kolijn transposes the scenery from German poetry to an Albertan landscape and augment it with her art placed in the environment. The voice merges with the landscape, singing the human experience of a broken heart into natural and supernatural phenomena such as storms, sundogs, and will-o'-the-wisps, expressing sublime beauty and terror.
Schubert called this a “harrowing cycle of songs,” and it is especially so, during this time. This music calls out to us today, as we settle into an unknown winter, a cold prairie landscape (Alberta), a time of disease, upheaval and mystery, and weirdness that Schubert's music portrays so well, even for today's world.

For more information on viewing or screening this movie:

© 2023 Eveline Kolijn and The International Festival of Song and Chamber Music Society

Created By
Eveline Kolijn
Appreciate

Credits:

Eveline Kolijn