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If you need more reach... What's the better Solution for Sony A7x owners looking for more reach? The Sigma 150-600 C or The RX10III?

The question about what's better for an A7x user looking for more reach: to buy the Sigma lens or to grab the versatile RX10III, pops up every once in a while in the forums. Therefore here some thoughts and tests for those who evaluate which of the two would fit them better. An RX10III costs almost the same as the Sigma 150-600 C with a converter. That's why it's worth to think about it and compare the two.

But in the meantime the situation has changed. The Sony 100-400 GM hit the market. Therefore the question now should be: What's the better solution for Sony A7X owners looking for more reach? The Sony 100-400 GM, the Sigma 150-600 C or the RX10III/IV?

There's really only one answer: The Sony 100-400 GM with the TC 1.4! To learn more as to why I have sold my my RX10III as well as my Sigma 150-600 C and bought the Sony 100-400 GM instead please scroll down to Addendums 1+2. When I wrote the 1st version of the following article the GM was not available yet and once it came out I first thought that it is too expensive. But I changed my mind and happily can say: it's worth every penny!

From here down to the Addendums 1+2, this is my original article dealing with the comparison of the Sigma 150-600 C with the RX10III, not including the 100-400 GM yet:

Wanting more reach I bought the Sigma 150-600mm Contemporary for my Sony A7RII, especially for wildlife photography. Before buying the lens I had a hard time to decide whether to get this bulky and heavy lens. I asked myself time and again if I wouldn't be better off with the much smaller and lighter RX10III. Well, since I love my A7RII so much I went with the Sigma. But... Only a few months later I decided to add an RX10III to my collection. (Which turned out to be a mistake – further down, in the new Addendum 1 you can see why I already sold the RX10III after using it for 17 months).

So, to help those Sony A7x users who evaluate the two above solutions, I will share some of the experiences I made with these systems. Since many reviews were written and published about these cameras and lenses, I will not get into the technical details here, but talk about some real world differences. But one thing remains to be said: I use the Sigma (Canon mount) currently with the Metabones IV adapter. I also have the Sigma MC-11, but at the current state of the firmware (May 2017), the MB IV performs better for me. This might change again with future updates.

Test shots

The following screen shots are based on test photos ...and I was not trying to be "artistic". It's not a scientific test either. Due to the weight I did not take out both systems at the same days. Therefore there may be some differences due to the light and/or atmospheric interferences. But the indoor shots were taken under the exactly same conditions. This page should best be viewed on a large, calibrated monitor. Viewing it on cell-phones etc. is not recommended for a realistic comparison.

Proportional difference in size of subjet taken at same distance. This of course also shows the proportional difference in the possible print sizes, which translates into fine art prints of 12x18" at 300 DPI resp. 15x23" at 240 DPI from the RX 10III. With the A7RII the corresponding sizes are 18x27" resp. 22x33". A7RII on the left, RX10III on the right.

Since I use the A7RII with 42 MP and the RX has only 20 MP, the results are obviously very different. The full frame sensor of the A7RII plays an important role. The RX10III only has a one inch sensor. Above you see the proportional difference in size, if you shoot the subject from the same distance at 600 mm. Due to the higher resolution, the A7RII/Sigma combo is like having a 900 mm lens when compared to the RX10III. In other words: you have significantly more reach with the A7RII/Sigma combo. For those with 24 MP cameras this difference is smaller of course.

So especially if you have the A7RII, the significant difference in the resulting picture size (if taken from the same distance) should be considered in your evaluation as well. When camera makers talk about the "35 mm equivalent" it's sort of a marketing trick. The RX10III really has a 220 mm lens which results in the same field of view as that of a 600 mm lens on a full frame camera, due to the smaller sensor of the RX.

But the larger images of the A7RII are not the only advantage. To get the same size of the subject, you can move farther away from it with the A7RII/Sigma, which can make a huge difference in wildlife photography. Staying farther away reduces the risk of scaring the animal away! And, of course, you get plenty more room for cropping with the A7RII. Dynamic range, the rendering of fine details and ISO performance are also much better on the A7RII as we will see further down the page. And some more very important aspects are (shallow) depth of field and subject isolation, wich are far easier to achieve in cameras with a full frame sensor. On the other hand it's easier to get a deeper DOF with the RX10III. These factors should be taken into account as well, before deciding whether to get the Sigma lens for your A7x or to add an RX10III to your collection.

Remains to say that if I were forced to make a choice, it would clearly be the A7RII.

Direct comparison

The below picture was taken at a distance of 3 m with the RX10III. With the A7RII I could move back to 4.5 m to get the same size of the subject! Both were shot at 600 mm with the lens wide open. Both lenses deliver sharp images wide open, even at the long end. Of course the resolution of the finest details is better with the A7RII/Sigma.

The following test shots were taken on a tripod at ISO 100. The pictures taken with the A7RII/Sigma are always on the left/above, those from the RX10III on the right side/below.

A7RII on the left, RX10III on the right. Shooting distance of 3 m with the RX10III, 4.5 m with the A7RII. Click photo to view full size.
Examples shot from the same distance, blown up. A7RII above, RX10III below. This cleary shows how much more information and detail you get with the A7RII/Sigma combo!

The following comparison was taken from a distance of about 3.5 km. The A7RII shot clearly shows more details.

A7RII on the left, RX10III on the right. Shooting distance 3.5 km. Click photo to view full size.

Following is an example shot from a distance of 600 m. The A7RII/Sigma combo is clearly better. Again both shot at 600 mm wide open. Both images scaled down to about 50% to get better quality (further down in Addendum 2 you can see the 100% crops of these images compared to the far superior result of the 100-400 GM with TC 1.4).

A7RII on the left, RX10III on the right. Click photo to view full size.

The next image was shot with the RX10III at 34 mm (image at the left). Comparing to the above shot gives you an impression of the magnification you get when zooming in to 600 mm. But it also reveals the lack of detail you get when shooting with a 1" sensor camera like the RX10III. For comparison (at the right) a shot of the same scene from a slightly different angle taken at 30 mm with the A7RII and the Sony 16-35 f4. Even in these examples of the small size of only 2560x1700 pixels the difference in IQ is apparent. No pixel-peeping necessary to see the difference...

RX10III at the left, A7RII at the right. Click photos to view larger size.

ISO, noise and dynamic range

In the below tests I tried to simulate a little more difficult situations, instead of setting up ideal conditions. I did this because in reality we are often confronted with more challenging scenarios. We often read in forums that the difference in IQ between these cameras is minimal, which simply is not true. People making such statements usually refer to pictures taken in broad daylight under pretty much ideal conditions. In such pictures the difference may be smaller but nevertheless clearly visible. But as soon as we have to shoot under not so ideal conditions, the differences actually are substantial. Under less than optimal, difficult conditions you often can continue to shoot with the A7RII, and still produce very good results, while with the RX10III it's not even worth trying anymore. Again, I don't say this to put the RX down at all. It's simly a fact, based on the technical limitations of the camera., which really should not be a surprise for anyone.

I only used the relatively low ambient light for the following photos. The tests show what's to be expected when a little more post processing is required. How well can we overcome the shortcomings of some under- or overexposure? How easily can we cope with noise? To properly evaluate the two systems, we should be aware of the strenghts and limits of each of them.

1. Photos underexposed by two stops

The first test scene: higher ISO from 800 to 6400. Above the ISO 800 A7RII shot.

The first series was taken at ISO 800, 1600, 3200 and 6400 to compare the ISO performance of the two systems. In this case the shots were deliberately under exposed by two stops, to push up the shadows in post. It happens time and again that we have to underexpose to prevent a very brightly lit background from clipping. Or we have to raise the ISO level and/or lightly underexpose to get an acceptable shutter speed. Underexposing and then pushing up the shadows in this test reveals more noise with both cameras of course, and we can compare how this affects the pictures from the two systems and how we can deal with it in post.

Like before the A7RII/Sigma images are at the left/above, the RX10III ones at the right/below.

A7RII above, RX10III below. ISO 800-6400. Underexposed by 2 stops. No NR or sharpening applied.Click image to see the entire stripe at 100%.
A7RII on the left, RX10III on the right. Already at ISO 800, which we often have to use to get a reasonable shutter speed, we see more noise and less detail in the RX10III image. Click image to view at 100%.
A7RII on the left, RX10III on the right. At ISO 6400 the difference in IQ is really huge. While you still can work with the A7RII file, the RX10III image offers no more headroom for improvement in post. Click image to view at 100%.
A7RII on the left, RX10III on the right. This image shows that a downscaled A7RII image shot at ISO 6400, is significanlty cleaner and more detailed, than a 1:1-RX10III image shot at only ISO 1600! This means that by downsizing the A7RII image we can even achieve a 3-4 stops better ISO performance than with the RX10III for the same image size.. Click image to view at 100%.
A7RII on the left, RX10III on the right. An example for the consequenzes of sharpening the ISO 800 images. A strange pattern appears in the RX10III image. While post processing I have noticed this effect even kicking in in RX10III images of lower ISO. Click image to view at 100%.
Crops from two RX10III images where I noticed the same effect as in the above example. I pushed the sharpening slider to 150. Normally I use a range from 30-75. The effect looks like moiré but how can this happen on smooth planes without patterns to cause the moiré? Maybe it's an effect of packing so many small pixels on such a tiny sensor.
A7RII above, RX10III below. Finally an example at ISO 800 after some noise reduction and moderate sharpening. In the A7RII shot we can still see the printing dots on the lable of the honey pot, despite NR. In the RX10III image I had to leave a little more noise to prevent it from looking waxy or plastic-like. But the printing dots are nevertheless already gone. Click image to view at 100%.

2. Correctly exposed photos

The second test scene, also from ISO 800-6400, but correctly exposed. Above the ISO 800 A7RII shot.
A7RII above, RX10III below. This obviously looks much better than in the case of the above underexposed images. In fact both cameras deliver very good ISO results in relation to their sensor sizes, but the A7RII shines with at least two stops less of noise (3-4 stops if we downsize) as is to be expected. Click image to see entire stripe at 100%.
A7RII on the left, RX10III on the right. Besides showing the big differences in details at ISO 800, this example also reveals the smoother transitions in shadows and highlights of the A7RII shot, due to the higher dynamic range. Click image to view at 100%.
A7RII on the left, RX10III on the right. Again much more obvious differences at ISO 6400. I would not use the RX10III above ISO 1600, and for wildlife I woud stick to max. ISO 800, because above the loss of detail in fur and feathers is too dramatic for me. With the A7RII I use up to ISO 3200 for wildlife. For less critical shots I can easily go up to 6400. Click image to view at 100%.
A7RII above, RX10III below. This ISO 6400 1:1-crop demonstrates the differences after applying as much noise reduction as necessary to remove the noise. Both images already – and expectedly – show artefacts. In real life I would leave a little more noise in favour of less artefacts, and again: I would not use ISO 6400 with the RX10III at all because the loss of details is far too severe. Click image to view at 100%.

3. Counter light shots at ISO 100

Next we examine some examples of counter light shots, all taken at ISO 100. The camera in this setup is rather weakly lit from a window at the left. I made two sets of pictures. At first I exposed for the highlights and pushed the shadows in post. In the second round I exposed for the subject, ignored the blown background and pulled the lights in post. With the A7RII I managed to get almost identical results in both scenarios, except for the blown background of course. Missing information cannot be recovered – not even in RAW – as we all know. In the case of the RX10III there were larger differences in the results from the two tests, and the IQ of the RX10III images suffered in both cases from these slightly more difficult conditions. Shots taken at 300 mm.

Set up for the counter light test, here with preserved highlights. Besides the strong counterlight the A7S (my main video camera btw.) was rather weakly lit from a window on the left. All shots in this test taken at ISO 100.
A7RII on the left, RX10III on the right. Exposing for the high lights and pushing the shadows up in post was no problem for the shot taken with the A7RII. In such scenarios the better DR of the A7RII becomes obvious. The shot from the RX10III already reveals some noise and a loss of details, despite the lowly ISO 100. Click image to view 1:1 size.
A7RII on the left, RX10III on the right. This image shows what happenes if we correctly expose the subject but blow the highlights in a rather difficult scenario like this one. In the case of the RX10III the light seems to wrap around the subject and softens/washes out the edges and we also loose some details. Again, very apparent difference in IQ. Click image to view larger size.

The same effect can of course be observed when shooting counter light outside. And it's not even direct counter light in this case but only shooting against a relatively bright background. The RX10III looses a significant amount of information. The following shots were not even shot in extreme conditions and the images were correctly exposed (no blown highlights) The light was not very harsh on this overcast day. In other words: a typical everyday situation. We face similar conditions very often when shooting landscapes. These were taken at 55 mm.

A7RII always at the left, RX10III at the right. The images in the middle row show the upper left, upper right and the upper centre. The lower photos show the centre of the image and the lack of corner sharpness of the RX10III at the lower left and right corners. Again, the difference in IQ is even apparent in these rather small images and is certainly not marginal ( size: ca. 2140x1320 pixels). Click for larger views.
Finally a "real" image revealing the effects of relatively strong counter light in an RX10III image. I avoided clipping the highlights. Therefore I had to lift up the shadows in post. One can already see the noise creeping in (see fur) as well as some artefacts and a loss of details, though this photo was shot at only ISO 250 and this was not a particularly extreme scenario. Click image for larger view.

Auto focus

As to be expected, the auto focus of the A7RII is remarkably faster thanks to PDAF and it's easier to focus with it, despite the fact that the Sigma 150-600 is not a native, but an adapted lens. The RX10III auto-focus is slower, particularly at longer focal lengths, and continuous auto-focus often struggles with fast-moving subjects, which is clearly less the case with the A7RII. In low light the AF of both cameras becomes weaker and starts hunting, and with the RX10III it can get painfully slow, especially at the long end of the lens. This weakness in darker conditions kicks in a lot earlier with the RX10III, but in this respect I'm not totally happy with the A7RII/Sigma combo either. Shots of birds in flight are probably very difficult – but not impossible – with both cameras. So far I did not try it myself, but I saw corresponding images from other photographers.

I recently took both cameras to a darker part of the forest to test the AF in a real life situation. Hidden behind a tree I had enough time to take several images with both cameras, because the squirrel luckily took his time for the meal. While I was able to get several sharp shots with the A7RII, the RX10III failed under theses circumstances. It was a tough scenario due to low light and low contrast, and what made the situation even more challenging were some branches right in front of the squirrel. The RX10III would either catch one of these branches or hunt endlessly, but I was never able to catch the eye of the animal and not one RX10III-shot turned out to be in focus. Maybe the Mark IV would have worked better, but I doubt it. Comes to it that the necessary ISO 6400 would have ruined the RX shot for sure.

This photo was taken with the A7RII at ISO 6400 and is heavily cropped. Click image for larger view.

Apart from this test I would not choose the RX10III for this kind of shots anyway. I had to use ISO 6400 to get a reasonable shutter speed. As we have seen in the ISO-comparison the RX10III would deliver unusable results at such a high ISO-setting anyway.

A word about macro

The Sigma 150-600 mm can be ignored in this respect. Close-ups: yes, macros: no. The RX10III can get pretty close to the subject. The following images show a coin with a diametre of 20 mm, shot at the closest possible focusing distance of 3 cm at the short end, and at a distance of about 90 cm at 600 mm. At 600 mm you can also shoot lovely close-ups of flowers with a nicely blurred background, but this is what the Sigma also can do of course.

But – and there always seems to pop up a "but" – compared to the results of a dedicated macro lens on a A7RII, the magnification of the RX10III "macros" is much less impressing as we will see further down. Since I also have a good macro lens, I will definitely continue to take this kind of shots with the A7RII. Especially when it comes to macro, the higher resolution of the A7RII comes in handy and the results possible of course surpass those of the RX10III by far. But you need an additional macro lens.

This image was shot at a distance of only 3 cm (which is totally unrealistic to capture living subjects). Due to the extremely short distance from the subject it was difficult to get it correctly lit because the lens shades the subject. That's why it's only getting light from the side. Click image for 1:1 crop.
But if you move to the long end you can shoot from the comfortable distance of 90 cm and get an even larger magnification. Superb! Here it was much easier to get the light right. Click image for 1:1 crop.
Comparison of magnification of the RX10III images: left 24 mm, right 600 mm (35 mm equiv.). Click for larger view.

I add one more picture here to show the difference to a dedicated macro lens on the A7RII, the FE 2.8 90 mm Macro G OSS in this case. Of course we go into totally different dimensions here. Anyhow, it's interesting to see how huge real macro images can be. The coin almost fills the frame of the A7RII and the cropped file is still 7473 x 4985 pixels large. One can see tiniest scratches on the coin. Therefore, if you want to get into real macro photography, the RX10III is certainly not the way to go.

The heavily downsized overview. Click for larger view.
1:1 crop. Click to see large image.

A dedicated macro lens literally dwarfs the largest RX10III "macro":

Comparison of magnification. Left A7RII with FE 90, right largest possible size with RX10III. Here both are reduced to 50% to show a larger portion of the images.Click for large view.

Depth of field

As mentioned before, it’s easier to get a deep DOF with the RX10III, but it’s very difficult to get a shallow DOF. Shooting at 600 mm and by either getting really close to the subject or by choosing a background far away from the subject, it's easy even with the RX10III. But that's not the point. We can’t always – and often don’t want to – shoot at 600 mm. And more often than not we can neither move the subject (or ourselves) as much as we would like, nor can we move the background farther away. At shorter focal lenghts the RX10III totally fails to produce a shallow DOF. Therefore subject isolation becomes pretty much impossible with the RX10III under many different circumstances like portrais for example, as well as in many scenarios in wildlife photography, and so on. It's a well known fact that FF-sensors are far better in this respect. We may think that we can resort to add the blur in post production. But this is not easy to do at all, even for experienced retouchers. And it is very time consuming if we want it to look realistic. So far, most of what I saw in this regard looked rather unrealistic and artificial.

For the sake of completeness I therefore add a picture with two examples of each camera. All shots were taken at the lowest f-stop available at the corresponding focal length. The first shot was taken at 150 mm. At this focal length the difference already becomes apparent. The second picture was shot at 55 mm (in this case not the Sigma lens was used of course). This example strikingly shows what it's all about. One has not the slightest chance to get this kind of result with the RX10III at shorter focal lengths in a scenario like the below example. And that’s sure one of several good reasons to keep the FF-camera (and even an APS-C camera for that matter) and add the RX10III as a complement and not as a replacement, which it cannot be in many ways as we have seen in the comparison on this page.

When viewing the below examples be aware that these are heavily downsized. The 1:1 images reveal a even bigger difference of the DOF. On large prints the effect will also be much more prominent. But the below A7RII 55 mm sample shows what good subject isolation means – even at thumbnail size, while the 55 mm version of the RX10III image shows the opposite! As you can see, with the FF-sensor it's much easier to blur the background.

Click for larger view.
Overview of the entire test scene. These are comparable circumstances to the ones we could be confronted with when taking a portrait with a 55 mm lens for example. No chance to get a decent result with the RX10 under such conditions. Click for larger view.

After pointing out several of the obvious technical limitations of the RX10III, it would not be fair to remain silent about it’s advantages. But frankly, wouldn’t it be kind of naive to expect the same performance from two cameras with such different price tags? And that’s the first big advantage of the RX10III: it’s lower price! For what it costs, you really get a fine tool to take beautiful photos.

It’s versatility, portability and it’s fantastic coverage of a range from 24-600 mm (35 mm equiv.) are some other advantages. The comfort of never having to change lenses adds positively to this list. No doubt, the RX10III can produce good photographs in good light. And, as shown above, the "macro" abilities of the RX10III are not too bad either!

As a travel camera the RX10III may be good enough for many. Overall you get a good tool for the money. When it comes to video the RX10III is good indeed.

All of these aspects can make it worth to add an RX10III to your bag if you are willing to live with a lower IQ. For some people it even might be the all-in-one solution they are looking for. For me it definitely is not. I really love my A7RII and my A7S ( and now A7RIII) and I would never give them up in favour of the RX10III. And when it comes to wildlife and landscape photography with lots of fine details the RX10III certainly cannot rival the A7RII/A7RIII at all. The RX is good if there is plenty of light, if you can get close to the subject and if there are not too many fine details.

When we talk about image quality we need to stay realistic. Of course the RX10III cannot compete with any FF cameras... and it was never meant to. I often read on the web that the difference in IQ between these very different camera systems is marginal, but that’s simply not based on facts. The difference very often is substantial as we have seen above. I also read comments like “no other camera could have taken this picture better than the RX10III” and similar statements... That’s rubbish to be honest... sheer emotionally colored opinion. I guess that in such cases psychology kicks in. We all tend to judge mildly about stuff we have paid for and, after all, we have to justify our own purchases. That’s understandable and normal!

But it’s not helpful when it comes to objectively compare two systems. Such statements are distracting us from making an educated decision! To find out what’s right, you first have to find out what you really need, and then solely rely on solid evidence in your evaluation. Did the person making the claim provide the pictures and/or proof to substantiate what he says? Is the reviewer of a product commercially linked to the manufacturer, and/or does he maybe only try to sell the product? These are questions which you should include in your evaluation. Also sleep over it and reconsider the facts the next day. This way you will be safe from disappointment.

Addendum 1

Meanwhile (in May 2018) I sold my RX10III because almost everytime I used it, I later regretted to not having carried my A7RII instead. I lost almost 50% of the money because in the meantime the RX10IV was released. But the following comparison shows so clearly that the A7RII is far superior, that I decided not to trade quality for convenience anymore! Now I always take my A7RII with me and did not regret selling the RX10III for one single moment.

The below photos were taken five days apart (but at the exact same time of the day). This explains the minor changes in the vegetation. The second day, when I took the A7RII image, was also a little hazier, but it should not matter much in this comparison.

1. Overview

A7RII with Sony FE 4/16-35, taken at 24 mm like the one with the RX. Click for larger view.

2. 100% crops of the flowers near centre and at the bottom

A7RII above, RX10III below. Click images for 100% view. In the left image where the flowers are very small, they become washy yellow dots in the RX image. The larger flowers in front (right image) are ok in the RX shot too. As long as there are not too many details or you are close enough to the subject, the RX10III performs pretty well. The trouble starts with lots of details. That's where the small pixels fail to do the job when compared to FF. This becomes clearly visible on good monitors as well as on larger quality prints.

3. Centre crops, both at 100%

Click photo to view full size. A7RII on the left, RX10III on the right. These are crops from the centre part of the images. I focused on the tree in both cases. The loss in IQ and detail of the RX10III is so significant that I had to sell it, to make sure that I always take out my A7RII from now on. No more compromise, no more regrets! Looking at the above photos makes it clear that sellng the RX10III was the only possible decision for me. Fullframe is clearly my way to go.

4. A7RII photo resized to match RX10III image

Click photo to view full size. A7RII on the left, RX10III on the right. Even when resized the difference is still obvious. In comparison the RX image looks rather flat and the washy flowers almost hurt the eyes.

One more example to show the dramatic difference between the two cameras when it comes to fine details when shooting from longer distances. In the following example the shooting distance is about 900 m, both photos taken handheld at the same time, both at ISO 100, 55mm, A7RII at 1/100 sec, f7.1, RX10 III at 1/400 sec, f3.2, both downscaled to the same size and same post processing for both images except more sharpening applied to the RX-image.

Click photo to view full size. A7RII on the left, RX10III on the right. Even when viewed at thumbnail size the difference is already visible. At full size it is day and night! That's why the RX10 III/IV don't even come close to the A7RII/III with good glass when it comes to landscape photography (another impressive example for this are the panoramas further down).

Addendum 2

I was pretty unhappy with the RX10III after using it for 17 months and I sold it as said above. But I hesitated to sell the Sigma and get the Sony 100-400 GM for several months due to it's relatively high price. As time passed by I grew more and more frustrated with the Sigma because the quality did not match to what I saw from the GM and the auto focus of the Sigma was unfortunately very limited when compared to native Sony lenses. Therefore I took the plunge, sold the Sigma too and bought the 100-400 GM with the TC 1.4. This was a real WOW experience. It's the best zoom lens I ever held in my hands. With the GM my good old A7RII feels like having a brand new camera. All of a sudden it's not a problem to focus and track moving subjects anymore, even at the long end and even with the TC 1.4! Using the Sony 100-400 GM is pure pleasure.

The following image is my first test shot taken with my brand new A7RIII. All other shots further down were taken with the A7RII.

Test image with the TC 1.4, 1:1 crop at the right. This lens is very sharp indeed! The TC is so good that one must really look close to see a tiny difference when comparing to images taken without the TC Click image for a larger view.
The neighbouring village at the bottom of the valley, 3.5 km away taken with the TC 1.4. It shows an impressing amount of fine details. Click image for a larger view.

The following image is a 1:1 crop taken at 400 mm without TC 1.4. I did not expect that a plane would suddenly show up. Acting fast was required. I only had a very short time window to catch it, but it worked out pretty well. It was my very first attempt to catch a plane in flight with the GM. To prevent clipping the clouds I had to underexpose and lift the shadows more than I normally do because the plane was not much more than a silhouette.

I could not have taken this shot with the Sigma or with the RX10III (of course I did try but never really succeded). The RX10IV, which I tested in the meantime, is clearly much better with it's improved AF and such a shot is of course possible with it. But the IQ is pretty much the same as it was with the RX10III. Therefore not an option for me.

Click image for 1:1 view.

Contrary to the Sigma where I used a monopod most of the time, I always use the 100-400 GM handheld. The lens is 500 grams lighter than the Sigma and it is more compact and far better balanced with the camera. Therefore I also don't need to carry the monopod and save another 700 grams of weight to carry around. The A7RII/100-400 combo (inkl. TC 1.4) is just about 2.3 kg which really is not a problem at all and not that much havier than the RX10III at 1.1 kg. I can easily carry it on my full day hikes in this steep mountain terrain (using a Black Rapid shoulder strap) even when I also carry my daypack.

Comparison fully extended with sunhood

Besides the image quality of the 100-400 GM being significantly better than that of the Sigma 150-600 C, another huge advantage is the far better AF and its tracking abilities. Additionally the minimum focusing distance is only 98 cm instead of 280 cm as it is with the Sigma. This allows stunning close-ups and leads to "macros" even better then what the RX10III/IV can deliver, especially when the GM is combined with the A7RII/III. Finally the OSS of the GM combined with the in camera IS of the A7RII is excellent and allows me to shoot handheld at slower speeds.

Remains to mention that contrast and colour-rendering of the GM are also excellent, better than what the Sigma on a A7RII and far better than what the RX10III/IV can deliver.

Even when photographing small birds from relatively far away (and even under difficult circumstances like backlit subjects) the GM-lens deliveres fine details:

Without TC at 400 mm in harsh counterlight from about 20 m, 1/400 sec. Click for 1:1 view.
Even smaller birds from about 30 m (leftt) and 25 m (right), both with TC at 560 mm, 1/500 sec. Click for 1:1 view.

With the A7RII/GM combo we get the same size of the subject at only 400 mm as with the RX10III at 600 mm (due to the larger pixel count) when shooting from the same distance, but the GM image shows significantly more details.

RX10III at 600 mm f4 at the left, A7RII/GM at 400 mm f5.6 at the right. Both shot from about 20 m. Click for 1:1 view.

Some comparisons with the Sigma and with the RX10III at 600 mm resp. at 560 mm with the Sony GM + TC:

The 40 mm less reach of the GM with TC are more than compensated by the superiour IQ of the 100-400 GM. After using it for several months I never even felt the missing 40 mm of the GM.

Overview taken with the Sony 100-400 GM + TC. Shooting distance about 600 m. Click for larger view.
All three are 100% crops: Sigma at the left, Sony GM in the middle, RX10III at the right. The Sigma shot was taken at 1/1250s with monopod. The GM shot was taken handheld at 1/500s and the RX10III shot was also taken handheld but at 1/1250s. The GM shot really is so much better that I never regretted having spent that much money. It's absolutely worth it and I'm totally happy with this superiour lens. Click for larger view.

Many users of the RX10III/IV in the forums say that they only need their images at 4K-size and that at this size the difference cannot be seen anymore. Well, allow me to prove the contrary. The following three examples were all downsized to 4K. The difference in IQ is smaller but still obvious. Despite downsizing to 4K especially the RX10III still lags behind in terms of IQ (no surprise considering the 1" sensor).

The marmot shots were taken at the following settings: ISO 1600 and 1/1250s A7RII/Sigma on the left. ISO 3200 and 1/500s A7RII/GM in the centre and low ISO 100 and 1/500s RX10III at the right. Same distance for all three marmot shots, focus on the eye. The GM shot also looks best at 4K, despite being shot in less favourable light and at the highest ISO of 3200 in this series (even better than the RX image despite it was taken at only ISO 100).

Click for larger view. A7RII/Sigma always on the left, A7RII/GM + TC in the middle, RX10III on the right. Shooting distances: 1st = 3.5 km, 2nd = 600 m, 3rd = 40 m.

Four Sony 100-400 GM examples taken with the TC 1.4, all handheld at 560 mm from very close (1 m) to very far away (10 km +), first three are 1:1 crops:

The butterfly (ISO 250, f8, 1/500) is 1 m away (1:1 crop), The duck (ISO 400, f8, 1/500) is 6 m away (1:1 crop), the clocktower (ISO 640, f8, 1/500) is about 300 m away (1:1 crop), the mountain with the glacier (ISO 800, f11, 1/1000) is more than 10 km away (downsized to 3000x2000). I shot the same glacier with the Sigma and the RX10III but didn't even care to keep the images. Click for larger views.
This 1:1 crop of the glacier still reveals some amount of detail despite the haze and the large distance of more than 10 km. Click for larger view.

Just a few days ago (April 26 2019) I upgraded my A7RII to the A7RIII because my local dealer made me an offer I could not resist, including a five years complete cover warranty. The A7RIII (now with firmware 3) offers better and faster AF than the Mark II and several other improvements like much longer battery life, two card slots, superb view finder, joystick and better ergonomics etc. Now I'm fully happy with my photo gear.

Some more examples taken with the A7RII/100-400 GM + TC 1.4

All handheld. The first six images were taken without the TC, all others were taken with the TC.

Click for larger view.

Some more real world examples of the Sigma and the RX10III

On top of the examples I added a panorama image in each section. The shot taken with the A7RII was of course not made with the Sigma 150-600 C but with the tiny, excellent Sony FE 35 F2.8.

It's in no way a scientific comparison and I only added these two panos for completeness to illustrate the different IQ and the different rendering of fine details of the two cameras when it comes to landscape photos. Obviously – as expected – the A7RII beats the RX10III clearly.

1. A7RII with Sigma 150-600 C

Only the following panorama was not taken with the Sigma lens.

Panorama of the mountains in lower Engiadina, taken with the A7RII. It's not a "in camera panorama" but was shot in RAW and combined in Photoshop from four individual images taken in landscape mode.

Click photos for larger view.

A7RII/Sigma photos were taken handheld and/or with the light but very sturdy Gitzo Traveller carbon monopod.

2. RX10III samples

The RX10III examples are not all shot in the range of 150-600 mm (which would be the ragne of the Sigma lens). I used the entire range from 24-600 mm (35 mm equivalent) for the following images.

Panorama of the mountains in lower Engiadina taken with the RX10III. It's not a "in camera panorama" either but was shot in RAW and combined in Photoshop from five individual images taken in landscape mode.

Click photos for larger view.

Photos taken handheld with the RX10III.

Conclusion

From my point of view the RX10III, IV cannot replace the A7RII/Sigma combo at all and by no means the combo with the Sony 100-400 GM! If you own the A7RII it's well worth to buy the Sony GM (or the Sigma if your budget does not allow the GM) and live with the a little heavier and bulkier combo. If you are serious about photography, you won't make any compromise concerning the image quality, just to get a little more convenience and save some money. And by shouldering a little more weight, you will be rewarded with far better IQ and will be much more flexible when it comes to more challenging scenarios.

Even if you have one of the other A7x models, getting the RX10III or the Sigma instead of the GM lens is not a good choice in my eyes. Be aware that especially when it comes to wildlife, you will not get the same quality with the RX10III or IV or the Sigma as with the A7x/100-400 GM. The test images on this page clearly show it. And don't give away or sell your A7x to replace it with a RX10III/IV! As said before: the RX10 cannot replace any of the A7 models from my point of view. The full frame sensor alone with it's obvious advantages is worth to keep your A7x. Some people will try to tell you otherwise. But look at the facts and don't let them talk you into something you probably will regret.

For me personally it's absolutely clear: I will never buy a small sensor camera again! The convenience may be tempting, but the lower image quality and – what's even more important – the far fewer photographic possibilities (low light, DOF etc.) are a too high prize to pay.

For those who still claim that the differences are marginal or cannot be seen without pixel peeping there are two options:

  • you may have a problem with your eyes
  • you may need to get a better monitor

I do understand that all the above shown flaws and limitations are not a problem for many and that for them convenience is more important than getting better IQ and having more creative options. What I do not understand is when people simply deny the obvious...

I hope this page was helpful for you to make the right decision. One often forgets to think about important details and only sees the temptation of the "600 mm reach". But as shown above 600 mm is not always 600 mm... Or is it?

© 2017/2018 by ReBaFoto

Created By
Reto Battaglia
Appreciate

Credits:

All photos by ReBaFoto, shot in the Swiss mountains in Lower Engiadina.