Alexandra Giannell’s painting and drawing practice is deeply rooted in research, theory, and criticism while engaging both traditional and nontraditional approaches to image making within the language of abstraction. Her works allude to the topographical landscapes and architectural structures of historical and contemporary socially institutionalized implementations of displacement, incarceration, and genocide, as well as the dualistic relationships between the internal and external, restriction and liberation.
Credits:
Alexandra Giannell