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James Benjamin Boisvert-Storey Creative Writer

Digital Creativity adds color to your black and white textual voice, aesthetic tenor to what might be monotone. Communicating with art and images means singing your message in rich rhetorical notes. Teaching with it means inviting your students to join the choir.

As a relational pedagogue, I leverage enthusiasm, humor, and optimism to encourage students to meet rigorous standards for quality writing--pushing and pulling them to become professionalized readers, thinkers, and writers. In the 2020s, this increasingly means helping students overcome digital misinformation, disinformation, or confusion. Competency in research (use of electronic databases, control over sources and sourcing, quotation and citation) often begins with technical competency--Boolean phrases in search terms, narrowing to scholarly/peer-reviewed sources, and understanding the limitations of various databases. In overcoming student hesitancy or paralysis, enthusiasm and good humor are mighty tools.

THINKING DIGITAL LITERACY

To be digitally literate in college, students must master common tools: Canvas, Word, Google Docs, PowerPoint, Google Slides, the Adobe Creative Cloud, and even GroupMe, group texts, Slack, and other communication software. To be digitally creative, setting themselves apart from their peers, students must make creative cover pages in ePortfolios (avoiding clipart, default fonts, poor aesthetic decisions), move beyond template PPT design, conceive of traditional essays as multimedia documents (hyperlinks, embedded images, visual design), and embrace the challenge of non-traditional assignments (podcasts, vlogs, collages, infographics, and so on). As an educator, my job is to boost student confidence. Fear, anxiety, and technological paralysis are real obstacles.

Pedagogical Possibilities

Writing classes are most often about creating traditional academic essays--a wonderful genre that encourages critical thinking, textual analysis, research, and composition skills. Yet not all deliverables in a writing course need be so text-oriented. In fact, visual learners, Kiersey Artisans, and creative people of all kinds appreciate assignments that deviate now and again from the relentless creation of academic prose. Below are three examples of visual design assignments from my L204: Introduction to Fiction course. All have traditional text-based alternatives for those students who would rather avoid visual design, but student feedback about art-based projects has been overwhelmingly positive, even from those students who claim to have no artistic skill of their own. All three also support formal writing assignments that come later in the term.

Create: Representation of Setting in Nnedi Okorafor's "Spider the Artist"

Examples of student work. Most students produce collages from Google Image searches, but a few who are artistically inclined do this:

Allison Stein 2019
Danielle DeCesaris 2020
Ellie Pursley 2021
Kate O'Brien 2021
Sara Pfister 2020

Create: "The Comet" plot exercise

Examples of student work.

CREATE: Brainstorming VENN Diagram

Sample Student Work

Felix Peterson, 2021
Olivia Wood, 2020
Made in Adobe Fresco

Create: Akai's Next Move Comic Frame

Sample student work:

Aiden Denehie, 2021
Emily Campbell, 2021

CREATE: Dictation Submission

COMMITMENTS: In L204: Introduction to Fiction, our students end the semester creating a Revision Portfolio, where 1,000 words of formal prose are revised and changes are annotated. The Portfolio also includes a Cover Page, Statement of Learning, Revision Plan, Before and After Drafts, and a Tip Sheet of takeaways. Students typically submit traditional PDFs or Word Documents. In the future, these might become ePortfolios, with real visual design aesthetics and consideration for reader/viewer consumption of material (visual rhetoric).

Credits:

Created with images by nito - "retro typewriter and text once upon a time" • momius - "Enthusiasm. Keyboard"