I. inspiration for an Idea
Consideration of Acoustics should effect Design
1. MIT Chapel By Saarinen - Acoustics considered within original architectural language
2. (insert underfunded church project here) - Manufactured acoustic products which can impose a foreign design language upon original language
Question: Is it possible to consider & manipulate acoustics within a legible design language in a positive way?
Inspiration from the Elements
(technical goals of the consultant) x+ (Architectural goals of the designer) x = Creation
X = Material used. I looked to the most basic of "material" : Earth, Air, Water
Earth
IF Gabion can communicate porosity with light, why not use that variable for a different form of wave: Sound
The water-surface concept comes full circle to become: The Waterwall
rehearsal building_lawn vista_pedestrian funnel
Performance Hall
Ground Plans
The Boston Elemental
- Spring Competition for Acoustic Society of America
- Infill Project, no actual site, 130' deep X 100' wide
- Extensive Performance program
Conclusion
Acoustics CAN inform and inspire us rather than hide deep within the depths of technical requirements
There does not have to be a battle between design languages of architects, consultants, and manufactured products. This dialogue should happen from the start. Making this effort will result in not only designs that work technically, but a legible design that can strive for beauty and innovation.
THANKYOU
Especially to Michael, Heiner, and Scott for their patience, guidance, and support during the past 2 years
A HUGE Thankyou also to Drew Hulva, Jeff Rynes, Randall Rehfus, Abram Diaz, Tanner Upthegrove, and everybody else who have directly or indirectly assisted me in this exploration