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Mystifiers & Necromancers An Archive of the Past Exhibit

Above: “Kellar and his Perplexing Cabinet Mysteries” published by Strobridge & Co. (c. 1894). From the Library of Congress (https://www.loc.gov/item/2014635609/)

Introduction

To celebrate Halloween, I would like to welcome you to the first Archive of the Past Exhibit. For the spooky festivities this year, I will be sharing lithograph posters from magicians and illusionists of the late nineteenth and early twentieth centuries. Each of these posters is from the Library of Congress’s Performing Arts Poster collection. The full collection can be found at the link.

Harry Houdini

One of the most famous magicians of all time is Harry Houdini. Born in Budapest as Ehrich Wiess, his family moved to Wisconsin when he was four. As a young child, Wiess began to perform as a trapeze artist. In 1891, he became a magician and adopted his famous stage name. The name was based on Jean-Eugène Robert-Houdin, a French magician. Houdini, performing with his brother, soon became one of America’s most popular performers.

“Harry Houdini, King of Cards,” published by the National Printing and Engraving Company (1895). From the Library of Congress (https://www.loc.gov/resource/cph.3f03785/)

Daring Escapes

Houdini’s best-known stunts were his daring escapes. During his career, he became known as the “World’s Handcuff King and Prison Breaker,” escaping from Scotland Yard, a “Siberian Transport Cell,” a large milk can, and a “Chinese Water Torture Cell.” This poster shows him escaping after being “buried alive,” and he is described as “the Greatest Necromancer of the Age – Perhaps of All Time.”

“Master mystifier, Houdini the greatest necromancer of the age - perhaps of all times--The literary digest.” by the Otis Lithograph Company (c. 1920s). From the Library of Congress (https://www.loc.gov/resource/var.2006/)

Spiritualism

One of the forgotten aspects of Harry Houdini’s life is his efforts to debunk séances. Initially interested in the idea, he became one of spiritualism's most important opponents as he grew older. (One of the idea’s significant proponents was Sir Arthur Conan Doyle, the creator of Sherlock Holmes.) According to Houdini, he investigated hundreds of Spiritualists to expose them as frauds. Shortly before his death, he supported banning all séances in Washington D.C. This poster, from around 1909, promises that Houdini will prove in a show that spirits can not return. After his death, his wife Bess attempted for a decade to bring his spirit back to the realm of the living. She never succeeded.

“Do spirits return? Houdini says no - and proves it. 3 shows in one: magic, illusions, escapes = fraud mediums exposed” (c. 1909). From the Library of Congress (https://www.loc.gov/resource/var.1627/)

Houdini's Death

Houdini’s death is the most enigmatic part of his life. On October 22, 1926, several students visited Houdini after a show in Montreal. One of the students asked if the magician could withstand his punch and proceeded to strike Houdini in the gut. The great magician had not had time to prepare for the impact and was badly hurt. Several days later, after a 104-degree temperature, Houdini was diagnosed with appendicitis. On Halloween, Harry Houdini passed away. To this day, there are questions as to whether or not the punch days before killed the world’s greatest magician.

Even after his death, people still capitalized on his fame. The 1931 poster advertises Theodore Hardeen, the stage name of Houdini’s brother Dash.

“On the stage - in person, Hardeen, brother of Houdini handcuffs and jails will not hold him : the greatest mystery show of all times. Mentalist supreme, Princess Yvonne, the mystery girl.” published by the Triangle Poster Printing Co (c. 1931). From the Library of Congress (https://www.loc.gov/resource/cph.3b49403/)

The Herrmanns

Early in their careers, Harry and Bess Houdini often performed together, but they were not the only magical couple. The 1898 poster on the left below advertises Leon and Adelaide Herrmann “in startling sensations and illusions, eclipsing anything ever attempted in the world of magic.” The poster on the right shows just Leon.

Left Image: “Herrmann the Great Co. 3rd annual tour of the Herrmann the Great Co. : the premier magical entertainment of the world : headed by Leon and Adelaide Herrmann in new startling sensations and illusions, eclipsing anything ever attempted in the world of magic.” published by the Metropolitan Printing Company for the Herrmann the Great Company (c. 1898). From the Library of Congress (https://www.loc.gov/resource/var.1972/) Right Image: “Herrmann the Great Co.” published by H. C. Miner Lithograph Company for the Herrmann the Great Company (c. 1890s). From the Library of Congress (https://www.loc.gov/resource/var.1974/)

Harry Kellar

Harry Kellar was a close friend of Houdini, as is considered to be one of Houdini’s inspirations. Born in 1849, he first performed as a magician when he was sixteen. Unlike Houdini, some of Kellar’s acts involved séances. Kellar eventually retired, and his secrets were given to Howard Thurston. Kellar’s last public performance ended with him being carried offstage while six thousand attendedees sang “Auld Lang Syne.”

“Kellar and his Perplexing Cabinet Mysteries,” published by Strobridge & Co. (c. 1894). From the Library of Congress (https://www.loc.gov/item/2014635609/)

These posters are from Kellar and Thurston. Click each poster for a better view.

Image 1: “Kellar and his Perplexing Cabinet Mysteries,” published by Strobridge & Co. (c. 1894). From the Library of Congress (https://www.loc.gov/item/2014635609/)

Image 2: “Kellar’s wonders” published by Strobridge Litho. Co. (c. 1900). From the Library of Congress (https://www.loc.gov/item/2014637424/)

Image 3: “Kellar” published by Strobridge Litho. Co. (c. 1900). From the Library of Congress (https://www.loc.gov/item/2014637365/)

Image 4: “Kellar” published by Strobridge Litho. Co. (c. 1899). From the Library of Congress (https://www.loc.gov/item/2014636917/)

Image 5: “Kellar” published by Strobridge & Co. (c. 1894). From the Library of Congress (https://www.loc.gov/item/2014636920/)

Image 6; “Kellar: Levitation” published by Strobridge Litho. Co. (c. 1900). From the Library of Congress (https://www.loc.gov/item/2014637364/)

Image 7: “Kellar in his latest mystery” published by Strobridge Litho. Co. (c. 1897). From the Library of Congress (https://www.loc.gov/item/2014637362/)

Image 8: “Thurston: Kellar’s Successor” published by Strobridge Litho. Co. (c. 1908). From the Library of Congress (https://www.loc.gov/resource/var.0272/)

Image 9: “Thurston: The Great Magican” published by Strobridge Litho. Co. (c. 1910). From the Library of Congress (https://www.loc.gov/item/2014636950/)

Image 10: “Thurston the great magician the wonder show of the universe” published by Strobridge Litho. Co. (c. 1915). From the Library of Congress (https://www.loc.gov/resource/var.1666/)

Image 11: “One of Thurston's astounding mysteries” published by the Otis Lithograph Company (1935). From the Library of Congress (https://www.loc.gov/resource/cph.3b53126/)

The Man Who Knows

Magician Claude Alexander Conlin performed as a mentalist under the stage name “Alexander: the Man Who Knows.” This poster for his act was published between 1915 and 1924.

“Alexander: the Man Who Knows” (c. 1915-1924). From the Library of Congress (https://www.loc.gov/resource/var.1607/)

Barnum the Hypnotist

This elaborate poster is for Barnum the Hypnotist. Sadly, very little information is available about this act.

“Barnum the hypnotist” (c. 1900). From the Library of Congress (https://www.loc.gov/resource/var.1613/)

Sylvain A. Lee

Sylvain A. Lee, shown in this 1898 poster, was known for his “hypnotic performances.” He also wrote a book on the subject, The Practice of Hypnotic Suggestion, in 1901. That same year, an advertisement in the St. Louis Republic said Lee “cures diseases of every nature without medicine or knife. He taught all the successful magnetic healers and hypnotists and will teach you.”

The diseases Lee claimed to heal included “Dyspepsia, Hearts Disease, Rheumatism, Female Troubles, Epilepsy, Blood Diseases, lack of Vitality, Chronic Headaches, and in fact every disease that is known to the human body.” Lee predicted his magnetic healing would “be the ruling force of the 20th Century.”

“Lee in his wonderful hypnotic performances” published by the U.S. Printing Company (c. 1898). From the Library of Congress (https://www.loc.gov/resource/var.2023/)

The Great McEwen

Phillip Hartley McEwen, a “famous Scottish hypnotist,” began performing around 1895. An advertisement from the July 15, 1895, edition of The Times Herald from Port Huron, Michigan, called him the “wizard of the west.” Ads from this time also mention he performed with “the cleverest troupe of Japanese Performers in America.” This poster is from an American tour of his in 1908. In 1913, he performed in Auckland, New Zealand.

“The great McEwen, famous Scottish hypnotist” published by the Winterburn Show Printing Company (c. 1908). From the Library of Congress (https://www.loc.gov/item/2014636922/)

MacKnight: Hypnotic Fun Maker

Not all hypnotic acts were serious. A Mr. MacKnight was billed as the “Hypnotic Fun Maker,” and evidently liked to cause mischief. One of MacKnight’s young assistants, Lyle Talbot, later became a Hollywood actor, working with Shirley Temple and Humphrey Bogart. Talbot appeared in several superhero serials, including as Commissioner Gordon and Lex Luthor, and was in several episodes of the Lone Ranger, Leave it to Beaver, The Beverly Hillbillies, and Green Acres. He is best known for his role as a next-door neighbor on The Adventures of Ozzie and Harriet.

“MacKnight, hypnotic fun maker” published by the Donaldson Lithograph Company (c. 1900). From the Library of Congress (https://www.loc.gov/resource/var.1644/)

The Great Dayton Show

The Great Dayton Show, led by W. W. Dayton, began perfoming around 1892, when a Vermont newspaper carried an ad saying “Chinquilla, the great Indian princess, can be seen only with the great Dayton show.” The act continued until around 1926, when W. W. Dayton placed an ad in the Woodward Daily Press asking for “a young man about 21 to assist in general… Cigarette fiends, Novel fiends, drunkards and chicken thieves keep off- don’t want you… Ford truck preferred.”

“Phillips Climation, successor to The Great Dayton Show” published by the D. L. Company (date unknown). From the Library of Congress (https://www.loc.gov/resource/var.1661/)

Miscellaneous Posters

These final few posters are from a variety of magicians and acts. Several of them have motifs from far-off places that were considered exotic, like Egypt and the Middle East. Others focus on supernatural or spooky designs, like skeletons and demons.

“Newmann the Great” (c. 1900). From the Library of Congress (https://www.loc.gov/resource/var.1930/)
“Newmann's wonderful spirit mysteries” published by the Donaldson Lithograph Company (c. 1911). From the Library of Congress (https://www.loc.gov/resource/var.1646/)
“Laurent: Magician, Illusionist, Entertainer” published by W. M. King Service (c. 1913). From the Library of Congress (https://www.loc.gov/resource/var.0262/)
“Miss Baldwin, a modern witch of Endor” published by Calhoun Printing (c. 1870). From the Library of Congress (https://www.loc.gov/resource/var.1968/)
“Frederick Bancroft, prince of magicians” published by Springer & Welty Lithographs (c. 1895). From the Library of Congress (https://www.loc.gov/resource/var.1610/)
“Frederick Bancroft, prince of magicians” published by Springer & Welty Lithographs (c. 1895). From the Library of Congress (https://www.loc.gov/resource/var.1611/)
[Zan Zig performing in four magic vignettes] published by Strobridge Litho. Co. (c. 1899). From the Library of Congress (https://www.loc.gov/resource/var.1679/)
“Forrest & Company: man of many mysteries” published by the Donaldson Lithograph Company (c. 1900). From the Library of Congress (https://www.loc.gov/resource/var.1619/)

Sources

“Library of Congress, Washington, D.C.” published by the B. S. Reynolds Company (date unknown). From the Andrew J. Bramlett Collection.

Each of the posters featured in this exhibit are from the Library of Congress in Washington, D.C. Other resources used include:

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Created by Andrew J. Bramlett

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